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You make your way from left to right as you would in a traditional 2D platformer, only here there’s also depth to the environments. L ittle Nightmares 2 offers a good mixture of platforming and problem-solving in a world that might be described as “2.5D”. In the woods you’ll find canvas bags bulging with body parts, while in the depths of a hunter’s cabin there’s a stuffed family sat round the dinner table, tumorous food spilling out from their plates and bowls. There’s a hazy, pensive mood throughout, and a real obsession with body horror and all things grotesque. While everything plays out from a pint-sized perspective, Little Nightmares is no child’s game. Small hills are actually perilous cliffs, and the bear traps that litter the forest floor are big enough to swallow you whole. Lost in the woods at night, you awaken to a world filled with threat and menace.
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In Little Nightmares 2 you play a small child-like figure named “Mono”. READ MORE: ‘Nioh 2 – The Complete Edition’ review: as brutal as it’s always been, just shinier.Comprehension melts away, and fear follows closely to fill the gaps. Little Nightmares 2 poses the opposite idea: what happens when the scale increases? When we ourselves are shrunk down, and the regular world appears bigger? Suddenly we’re hit with the reversed effects: order and control is replaced with deeper layers of mystery and a heightened sense of vulnerability. The regular world is chaotic, and so by reducing its scale – as seen in things like museum dioramas – we can more easily understand and control things. In Simon Garfield’s In Miniature: How Small Things Illuminate the World, he argues that shrinking things down to size satisfies an innate desire for elucidation and mastery.